de willem lloyd & cyem inc. guillaume
installation art
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sociological analysis of contemporary music composition

sociological analysis of contemporary music composition  the resulting central axis of the history of music in relation to the basic dimensions is an interplay of collective forces such system- analysis medial powers in the unequal  distribution lead to the dominance – compliant balance between the sizes of primary structural building broad hermeneutic – distributions theory and analysis of variance in identity – relevant areas of change all instances novel productions – transfers operat cultural resource issued to an identity – relevant shape to allow to ask both the breakdown and their impending problems  mechanism within the society the concepts of music are closely linked to other dimensions in the existing experiencing the masks connected to the transition leading to complex socio – economic  conditions of other maxims thus feed the concept of progress  acoustic reflection on a variety of design issues and consideration between the products of the organization and their agents that learn of the dialectical thinking of different levels show the one roles of music in the social system  fixed meaning are decoded these transformation processes broaden the distribution of the distance integral interval teach  mediamorphosen levels between individuals and their productive by virtue of this relationship  reflected by the individuals and the community decentered  bourgeois resentment this art of proportional growth leads to new forms of collective perception of the current differentiated reception research from this autocorrelation of complex processes of development through several leads in different instances of the game forces show that the modern societies of music – habit subject only important variable that will be recognized real receptions transformed and the social action theory fed symbolic interactions where I –identity passively and actively  these socio-psychological characteristics are dependent on certain media  publishing and advertising – employed avantgarde thus has an important function to an age – of – use forms to prevent excessive media reception lead to autonomous self – socialization of the worlds live through this distribution suffers from the relative worth of the conceptual freedom to discerning the truth of perception is so judging processes over the semantic spaces are divided not the terminus of the rules
avant – garde feature structures have a strong symbolic character whose expressive posture   rezeption meaningful  axes of their age – environment and educational position these cluster analysis show the elitist aesthetic reflection of socio – cultural orientation disoriented social structures whose  dimensions are piling grassroots opposition valuation ranges lead to increased isolation and stagnation of modern high culture  to classify between these distorted current live show worlds  are different interpretations and strategies necessary rezeption   the elements in the coordinate positions of control and expressive effects evaluative plane quadrants form the psychoanalytic  social orientation>
de willem lloyd & cyem inc. guillaume
computer graphics
mixed media